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Examples
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The show debuted in 1938 with music by Weill and book and lyrics by Maxwell Anderson, one of the foremost playwrights of his day.
Fern Siegel: Stage Door: Knickerbocker Holiday Fern Siegel 2011
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The show debuted in 1938 with music by Weill and book and lyrics by Maxwell Anderson, one of the foremost playwrights of his day.
Fern Siegel: Stage Door: Knickerbocker Holiday Fern Siegel 2011
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Like most pre-Oklahoma! musicals, the book, by Maxwell Anderson, doesn't blend effortlessly with the score.
Howard Kissel: Knickerbocker Holiday Howard Kissel 2011
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Like most pre-Oklahoma! musicals, the book, by Maxwell Anderson, doesn't blend effortlessly with the score.
Howard Kissel: Knickerbocker Holiday Howard Kissel 2011
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The show debuted in 1938 with music by Weill and book and lyrics by Maxwell Anderson, one of the foremost playwrights of his day.
Fern Siegel: Stage Door: Knickerbocker Holiday Fern Siegel 2011
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He made his Broadway debut in 1934 with a small role in Sidney Kingsley's acclaimed "Dead End," and he twice played Jesus, in Max Reinhardt's production of "The Eternal Road" and Maxwell Anderson's "Journey to Jerusalem."
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In 1949, decades before "Maus" was published, Kurt Weill, a German Jewish composer who had managed to escape from Hitler, collaborated with playwight Maxwell Anderson to write "Lost in the Stars," which used the vehicle of musical theater to alert the world of the possibility of a potential new holocaust — officially known as Apartheid — that was taking root in South Africa.
Weill's 'Lost' is Found Will Friedwald 2011
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As Maxwell Anderson, the CEO of the Indianapolis Museum of Art, describes it, a museum's mission is to provide visitors with "resonance and wonder... an intangible sense of elation -- a feeling that a weight was lifted."
Arianna Huffington: Museums 2.0: What Happens When Great Art Meets New Media? Arianna Huffington 2010
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As Maxwell Anderson, the CEO of the Indianapolis Museum of Art, describes it, a museum's mission is to provide visitors with "resonance and wonder... an intangible sense of elation -- a feeling that a weight was lifted."
Arianna Huffington: Museums 2.0: What Happens When Great Art Meets New Media? Arianna Huffington 2010
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As Maxwell Anderson, the CEO of the Indianapolis Museum of Art, describes it, a museum's mission is to provide visitors with "resonance and wonder... an intangible sense of elation -- a feeling that a weight was lifted."
Arianna Huffington: Museums 2.0: What Happens When Great Art Meets New Media? Arianna Huffington 2010
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